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He is like Borrow or De Quincey (though he goes even beyond both) in the singular knack of endowing or investing known places and commonplace actions with a weird second essence and second intention.
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Yet he managed to throw over the most unlikely material a novelish or at least a romantic character, which is sometimes – nay, very often – utterly wanting in professed and admitted masters of the business and he combines with this faculty – or rather he exalts and transports it into – a strange and exquisite charm, which nobody else in French, except Nodier 237 (who very possibly taught Gérard something), possesses, and which, though it is rather commoner in English and in the best and now almost prehistoric German, is rare anywhere, and, in Gérard's peculiar brand of it, almost entirely unknown.įor this "Anodos" – the most unquestionably entitled to that title of all men in letters this wayless wanderer on the earth and above the earth this inhabitant of mad-houses this victim, finally, either of his own despair and sorrow or of some devilry on the part of others, 238 unites, in the strange spell which he casts over all fit readers, what, but for him, one might have called the idiosyncrasies in strangeness of authors quite different from each other and – except at the special points of contact – from him. He was a poet, a dramatist, a voyage-and-travel writer, a bibliographer (strange trade, which associates the driest with the most "necta weous" of men!) even sometimes a tale-teller by name, but even then hardly a novelist. It certainly would be difficult, from the same point of view of strict legality, to call anything of his exactly a novel. But I might have a little more difficulty (though I should still lose neither heart nor hope) in the case of the ill-fated but well-beloved writer whom gods and men call Gérard de Nerval, or simply Gérard, though librarians and bibliographers sometimes insist on his legal surname, Labrunie. My conscience is easy there and I think I have refuted the peculiar charge beforehand. I have been accused (quite good-naturedly) of putting Rabelais in this history because I liked him, though he was not a novelist. Gérard de Nerval – his peculiar position.